Obama and Copyright
Thursday, November 6th, 2008 by Patrick RossI’ve waited two days to write about President-Elect Barack Obama because it seemed, well, rather silly to localize this tremendously historic, emotional and moving event with an examination of copyright policy. I still feel silly, but Obama started working on his transition first thing Wednesday morning (well, actually news reports said he started with breakfast with his family followed by a workout, both of which are great ways to start the day off right). If he can jump in to his work and move past the awe of what transpired Tuesday night, I guess I can as well.
What does the election of Barack Obama mean to copyright, to the protection of rights abroad and to the continued incentive system for creators? We’ve addressed that before in comparing his copyright agenda to that of Senator John McCain (both stated a strong understanding of its importance economically) and we noted that Obama’s running mate, Senator Joe Biden, is a stalwart promoter of creators’ rights and a co-founder of the Congressional International Anti-Piracy Caucus. But there’s a larger perspective here that needs noting — copyright fits perfectly with Obama’s inspiring message throughout this campaign, a message of hope, a message of bringing parties together in a common purpose.
Yesterday I responded to a request from K.C. Jones of Information Week regarding an Obama copyright agenda, and here’s a passage from the story:
Copyright Alliance executive director Patrick Ross agreed with technology leaders and joined them in praising Obama’s knowledge of technology. He said that the next U.S. president has demonstrated a “clear understanding of the critical role copyright industries play in creating jobs and stimulating the economy.”
“Given the fact that he has placed improving our troubled economy as Job One for his administration, we in the Copyright Alliance are confident that his efforts will include strong copyright protection,” Ross said Wednesday. “Copyright has always been a bipartisan issue, supported broadly by Democrats and Republicans alike, as the votes approving the recent PRO-IP Act showed. The president-elect has made it clear he will be looking for opportunities to reach across party lines and build consensus, and copyright provides him an excellent opportunity to do so.”
We have repeatedly made the economic argument and will continue to do so because it has become more central than ever in these troubled times. But that last point needs to be emphasized more. Copyright truly is a consensus issue, with people and policymakers of all stripes recognizing its value. A few vocal blogs and a few sympathetic media outlets tend to create this notion of a war between creative industries and, well, I suppose consumers, but such a war doesn’t really exist.
Creative works are more popular than ever. The overwhelming sale of iPods have shown that consumers will accept certain restrictions when they see value. (That said, I wish Apple would choose to be more interoperable with other music systems.) Quality online outlets like Hulu.com can find large and legal audiences overnight and return revenues to the owners almost immediately. New devices such as the e-book reader Kindle ignite renewed interest in reading.
A handful of advocacy groups may have wished otherwise, but the fact is, when Americans went to vote Tuesday, they weren’t voting for some ill-defined concept like digital freedom. Americans by and large don’t think about copyright, and this is because the system works and they have access to all of the creative works they could possibly imagine.
If copyright law and protection were curtailed, and the production of those works declined, we would be alarmed and let our policymakers know our frustration, but for now we can continue pressing our leaders on the very real and immediate problems of access to affordable health care, rising costs for energy and food, declining values of homes and 401(k) portfolios, increasing layoffs and negative job growth. Thank goodness we will continue to have a good book or TV show to facilitate a brief escape from these problems.
We’ve seen about two dozen new members of the House of Representatives and about ten or so new senators elected this week. Many incumbents in both houses lost. Members of Congress know they are going to be up for re-election, and they’re not about to do anything to jeopardize that. They truly are “representatives” of their constituents. So when the House votes 409-10 on the PRO-IP Act, that suggests that a pretty overwhelming majority of House members, who were facing re-election just months after the vote, feel confident that this was in the best interest of the voters in their district. They were right.
As I told Information Week, copyright is one of those very few truly bipartisan issues. Supporting creators’ rights means everybody wins, from artists to consumers to our culture. There is a long history of consensus among policymakers on the issue; as an example just look at the hostilities that have flared up between Senators Leahy and Hatch over judicial nominations, and compare that to their enthusiasm at co-sponsoring legislation together promoting creators.
Politics doesn’t have to be personal. Obama is a shining example of that. I am fully confident he will welcome the opportunity to work with both Democrats and Republicans to ensure that, just as he said in his tech policy paper, copyright owners see their rights respected and enforced both at home and abroad.
We in the Copyright Alliance — our individual creators, our artist coalitions, our unions, our corporations, and our trade associations — look forward to working with him in this area, to boost our economy, create jobs, and encourage the creation of new works for all of us.

November 17th, 2008 at 1:02 am
I wonder if I’m protected internationally by having a Federal Copyright and listing with ascap on my music. If not, what must I do to be pretected as I am going on itunes in a few months?
November 17th, 2008 at 9:46 am
Rob,
The US is part of an international organization of more than one hundred nations that requires the countries to respect the intellectual property rights of owners in other countries, so you don’t have to do anything to ensure international protection. Of course, collecting actual payment for use is another matter. You belong to ASCAP, which is a good thing because they work with collection agencies worldwide. I would contact an ASCAP representative to learn more about what services they can provide you and what more you might need to do to collect from iTunes.
Patrick
November 19th, 2008 at 3:17 pm
“A few vocal blogs and a few sympathetic media outlets tend to create this notion of a war between creative industries and, well, I suppose consumers, but such a war doesn’t really exist.”
Maybe in your head, but that’s about the only place it doesn’t.
This kind of copyright law is motivated by *greed*. Nothing else.
The RIAA and MPAA are bullies and extortionists.
Copyright does not exist for the sole purpose of making corporations money, as you seem to think it does.
We will fight you tooth and nail until you and your goons stop your *extortionism* - because that’s what you’re doing.
You’re no better than corrupt mobsters.
November 20th, 2008 at 2:09 am
Neal’s comments above may overstate things a little bit but I agree with his basic tenets. I understand you are part of a lobby group and you need to represent that group’s interests but please do not expect your views to be swallowed blindly. Give people more credit than that.
I could talk about intrusive, potentially harmful “anti-piracy” measures put into many of today’s computer games but there are already lawsuits pending that will shine light on that despicable practice. A practice that in reality has little to do with piracy, as these games are ALWAYS available for free from the known sources before or close to release. It is about making an end run around our right to second sell and closing up the second hand game market, a goal your interests couldn’t enforce legally so now you try and enforce it technologically.
The RIAA lawsuits, disgustingly flimsy cases with evidence obtained in ways that are not always clearly lawful, against your own consumer base! You hold huge, DISPROPORTIONATE figures over their heads then offer them settlements for a several thousand dollars, effectively coercing a settlement.
I agree that content creators have the right to profit from their work. But in most cases the people you represent have created nothing except a distribution network and legal team. The way you go about enforcing those rights I find despicable.
You say there is no “war” and if that is the case it is because the general public is still ignorant of what is going on to know that war is being waged on their fair use rights.
November 23rd, 2008 at 7:11 pm
Well, I hope you’re right, but Obama is tight with Google’s CEO. Google just scanned hundreds of thousands of copyrighted works without permission, and is now asserting that they own the rights to sell those works, unless the copyright holders explicitly opt OUT of the Google/Author’s Guild Settlement. Which is stated to apply to every copyright holder in the US and in every country that signed the Berne Agreement. This “we take it if you don’t opt out” provision is completely counter to US and international copyright law. The Settlement is an outrageous document. For those who don’t opt out–and no way will every copyright holder hear it exists before the opt-out deadline in May 2009–Google pays only $60/title in copyright damages. Google asserts the right to sieze control of documents out of print for only one year–regardless of the intentions of their copyright holders–to declare print-on-demand books out of print and sieze them, and many more provisions very damaging to copyright holders.
January 19th, 2009 at 11:18 pm
I think I tend to agree with Frances - another of Obama’s advisor, Larwrence Lessig backed up a little around election time, but is right back vocally advocating his ‘HYBRID’ economy theories and promoting the dissolution of the current copyright system. Colbert was hilarious when he hosted him on his show, but you can’t help but sense how opposed Lessig is to copyright in general. (he applauded Flickr’s profit from their unpaid contributors - that’s kind of like proposing a modified type of slavery to me personally) Let them eat cake I guess. If I make it and can’t profit from my own work and will be forced to compete with my own work as infringers ‘REMIX’ it - there’s absolutely no reason to publish work any longer. This concept of this “copyright free” compents for the artistically impaired marks an end to alot of creativity on the web and in public in general and a sad regurgitation of pirated material. The removal of penalties doesn’t eliminate the problem, it just facilitates it - as Colbert put it, “legalizing arson” doesn’t stop a pyromaniac.
March 30th, 2009 at 3:05 am
I find it amusing that there is so much protection for the copyright holder, but none for the copyright originator.
March 13th, 2010 at 8:45 pm
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