<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	>
<channel>
	<title>Comments on: Placing Demands on Artists</title>
	<atom:link href="http://blog.copyrightalliance.org/2009/11/placing-demands-on-artists/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.copyrightalliance.org/2009/11/placing-demands-on-artists/</link>
	<description>Copyright Information</description>
	<pubDate>Sat, 13 Mar 2010 18:26:55 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.5.1</generator>
		<item>
		<title>By: Jeff Power</title>
		<link>http://blog.copyrightalliance.org/2009/11/placing-demands-on-artists/#comment-43009</link>
		<dc:creator>Jeff Power</dc:creator>
		<pubDate>Sat, 05 Dec 2009 20:09:38 +0000</pubDate>
		<guid isPermaLink="false">http://blog.copyrightalliance.org/?p=525#comment-43009</guid>
		<description>Actually on December 7th the Beatles will release a limited edition Apple shaped USB Key with re-mastered audio for The Beatles’ 14 stereo titles, as well as all of the re-mastered CDs’ visual elements, including 13 mini-documentary films about the studio albums, replicated original UK album art, rare photos and expanded liner notes and  the 16GB USB’s audio contents will be provided in FLAC 44.1 Khz 24 bit and MP3 320 Kbps formats
flac is an excellent format for music quality.
Will it be avaiable for download illegally ? of course
But they've put together a very compelling package and I'm really hopeful (being a large Beetles fan) that I'll be able to get my hands on one.
I had read somewhere that the reason the Beatles do not have mp3s on line is that they had demanded that they be compensated by EMI for any songs that leaked to file sharing sites (for each download) 
EMI of course would be too exposed for this to take place.
I'm sure they don't have the same deal for the USB key so it does puzzle somewhat.</description>
		<content:encoded><![CDATA[<p>Actually on December 7th the Beatles will release a limited edition Apple shaped USB Key with re-mastered audio for The Beatles’ 14 stereo titles, as well as all of the re-mastered CDs’ visual elements, including 13 mini-documentary films about the studio albums, replicated original UK album art, rare photos and expanded liner notes and  the 16GB USB’s audio contents will be provided in FLAC 44.1 Khz 24 bit and MP3 320 Kbps formats<br />
flac is an excellent format for music quality.<br />
Will it be avaiable for download illegally ? of course<br />
But they&#8217;ve put together a very compelling package and I&#8217;m really hopeful (being a large Beetles fan) that I&#8217;ll be able to get my hands on one.<br />
I had read somewhere that the reason the Beatles do not have mp3s on line is that they had demanded that they be compensated by EMI for any songs that leaked to file sharing sites (for each download)<br />
EMI of course would be too exposed for this to take place.<br />
I&#8217;m sure they don&#8217;t have the same deal for the USB key so it does puzzle somewhat.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: max davis</title>
		<link>http://blog.copyrightalliance.org/2009/11/placing-demands-on-artists/#comment-40653</link>
		<dc:creator>max davis</dc:creator>
		<pubDate>Fri, 13 Nov 2009 02:31:21 +0000</pubDate>
		<guid isPermaLink="false">http://blog.copyrightalliance.org/?p=525#comment-40653</guid>
		<description>Piracy accusations have been used out of context within the digital age just like anti-copyright accusations have been.

It is really about the "first edition" Internet generation's habits and preferred methods of getting content.  If the "house" had been set up properly to begin with, it would have had a strong foundation supporting existing infrastructure inclusive of copyright laws and all other laws of the land and we wouldn't be experiencing this mass confusion and divisiveness.

From the beginning ISP's should have been charging by consumption.  That would have made it fairly simple to segregate copyrighted materials from fair use and other types of content.  The fees could have easily been in line with what we are paying today for access.  For example, you watch a movie online and you used up 100mb of your 7 gig allocation.  You download some music and you use up 10mb of your allocation and so on.  In the meantime, the ISP is depositing .01 per mb used into a collective consisting of rights holders.  In turn the rights holders would democratically split up the pie.

Viola!  Everybody's happy and it is the fairest way for ALL concerned.

Fortunately, this is exactly how mobile networks are set up.  So let's get this done!</description>
		<content:encoded><![CDATA[<p>Piracy accusations have been used out of context within the digital age just like anti-copyright accusations have been.</p>
<p>It is really about the &#8220;first edition&#8221; Internet generation&#8217;s habits and preferred methods of getting content.  If the &#8220;house&#8221; had been set up properly to begin with, it would have had a strong foundation supporting existing infrastructure inclusive of copyright laws and all other laws of the land and we wouldn&#8217;t be experiencing this mass confusion and divisiveness.</p>
<p>From the beginning ISP&#8217;s should have been charging by consumption.  That would have made it fairly simple to segregate copyrighted materials from fair use and other types of content.  The fees could have easily been in line with what we are paying today for access.  For example, you watch a movie online and you used up 100mb of your 7 gig allocation.  You download some music and you use up 10mb of your allocation and so on.  In the meantime, the ISP is depositing .01 per mb used into a collective consisting of rights holders.  In turn the rights holders would democratically split up the pie.</p>
<p>Viola!  Everybody&#8217;s happy and it is the fairest way for ALL concerned.</p>
<p>Fortunately, this is exactly how mobile networks are set up.  So let&#8217;s get this done!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: SteveAK</title>
		<link>http://blog.copyrightalliance.org/2009/11/placing-demands-on-artists/#comment-40628</link>
		<dc:creator>SteveAK</dc:creator>
		<pubDate>Fri, 13 Nov 2009 00:05:55 +0000</pubDate>
		<guid isPermaLink="false">http://blog.copyrightalliance.org/?p=525#comment-40628</guid>
		<description>Firstly, I'd like to nitpick (sorry about that!):  When you say the Beatles are available "digitally", I understand you to say that you can purchase their physical product online (just like you can buy, say, a chair over the internet).  Rights-holders: pushing technology to the max, blowing dust in Google's face!

Legally, you're correct.  There's no specific requirement for each and every rights-holder to make their works available in a certain fashion in order to achieve copyright protection (and such a requirement would be rather difficult to effectively enforce).  However, I (and most of my friends) are far more likely to spend money on a rights-holder who is receptive to our preferred use of digital technology.  If the Beatles are more interested in protecting values I don't share (owning a physical copy of the CD, buying an album at a time) I'm not especially interested in owning their music.  

As a business matter, I would expect their actions to naturally increase piracy, which it is their right to attempt to prosecute.  Like leaving a sports car in a bad neighborhood, their (in my opinion dumb) actions do not absolve infringers of guilt.  However, any attempt to use the resulting lack of sales to push for more laws treading on others' rights (restrictions on technology, bad copyright laws, or other arbitrary harassment of non-infringers) should be rejected.  Ditto for demanding TARP funds to keep their business alive if no-one buys their product :-)

We must remember that eliminating piracy will not make purchasing the songs any easier and will only partially increase revenue(if any).  Without the option of piracy, many users will simply spend their money on other things.</description>
		<content:encoded><![CDATA[<p>Firstly, I&#8217;d like to nitpick (sorry about that!):  When you say the Beatles are available &#8220;digitally&#8221;, I understand you to say that you can purchase their physical product online (just like you can buy, say, a chair over the internet).  Rights-holders: pushing technology to the max, blowing dust in Google&#8217;s face!</p>
<p>Legally, you&#8217;re correct.  There&#8217;s no specific requirement for each and every rights-holder to make their works available in a certain fashion in order to achieve copyright protection (and such a requirement would be rather difficult to effectively enforce).  However, I (and most of my friends) are far more likely to spend money on a rights-holder who is receptive to our preferred use of digital technology.  If the Beatles are more interested in protecting values I don&#8217;t share (owning a physical copy of the CD, buying an album at a time) I&#8217;m not especially interested in owning their music.  </p>
<p>As a business matter, I would expect their actions to naturally increase piracy, which it is their right to attempt to prosecute.  Like leaving a sports car in a bad neighborhood, their (in my opinion dumb) actions do not absolve infringers of guilt.  However, any attempt to use the resulting lack of sales to push for more laws treading on others&#8217; rights (restrictions on technology, bad copyright laws, or other arbitrary harassment of non-infringers) should be rejected.  Ditto for demanding TARP funds to keep their business alive if no-one buys their product <img src='http://blog.copyrightalliance.org/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
<p>We must remember that eliminating piracy will not make purchasing the songs any easier and will only partially increase revenue(if any).  Without the option of piracy, many users will simply spend their money on other things.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
