Archive for the ‘market forces’ Category

Stuck on Rewind

Friday, March 4th, 2011 by Sandra Aistars

Public Knowledge, for all its claims to be looking out for the future, appears in its rhetoric to be stuck in the 80s. An oddly gratuitous swipe at the movie industry this week about studios “coming to recognize that technology is not your enemy” left me asking, simply: Seriously? The notion that the creative world [...]

America as a Leader in Copyrighted Works

Tuesday, November 9th, 2010 by Patrick Ross

The United States economy in the 21st Century will be driven by creatives both native and immigrant, as a rich social and economic network fostering creativity draws creators and fuels further creativity. So argues David Brooks today in The New York Times. America will be a “crossroads nation,” he said, due to several factors, including [...]

Understanding Value: How it affects the copyright debates

Wednesday, October 20th, 2010 by Lucinda M. Dugger

On the heels of the Future of Music Policy Summit and the recent introduction of the Combating Online Infringement and Counterfeits Act (COICA) by Senator Leahy, I keep mulling over in my mind what the true value of music, books, and the visual arts is, and how this value – whether actual or perceived – [...]

Q&A with “Starving the Artist” Author William Aicher Part Two

Thursday, July 1st, 2010 by Patrick Ross

Welcome back to my conversation with William Aicher, author of “Starving the Artist.” In yesterday’s post, Mr. Aicher shared his thoughts on how his work in the online music business led him to feel artists were not getting sufficient respect online. He also spoke about how copyright serves as an incentive to create, and that [...]

Q&A with “Starving the Artist” Author William Aicher Part One

Wednesday, June 30th, 2010 by Patrick Ross

Recently I read a very compelling book titled “Starving the Artist.” (I enjoyed the Kindle version and now have a hard copy given to me by a colleague of the author I met recently at the Music Publishers Association meeting in New York). The thesis of the book — that technology has advanced in ways [...]

A Review of Section 108 by Kathleen B. Saylor

Thursday, May 20th, 2010 by Patrick Ross

Copyright law gives authors exclusive rights to their works, except when it doesn’t. In other words, U.S. law places some limitations on copyright owners’ rights. Copyright is not perpetual. Folks can occasionally make use of a copyrighted work without permission or compensation (fair use). And some exceptions are made for libraries and archives, under Section [...]

Intellectual Property Key Driver of GDP Around World

Tuesday, February 23rd, 2010 by Patrick Ross

The Property Rights Alliance (PRA) has outdone itself with the 2010 International Property Rights Index (IPRI) Report, which once again highlights the close coordination of strong rule of law and physical and intellectual property rights in a nation’s economic success. The latest data shows those countries in the top quintile on those yardsticks have an [...]

Competition in Online Video is Good, Right?

Thursday, February 4th, 2010 by Patrick Ross

More people are watching video over the Internet than ever before. It is becoming increasingly easy to stream online video on your television, bringing the lean-back and lean-forward technologies together in a pleasant way. We want this to continue, right? There are two challenges facing the growth of a legal online video market. One is [...]

Copyright Addressed in New National Arts Index Report

Wednesday, January 20th, 2010 by Lucinda M. Dugger

The national nonprofit dedicated to advancing the arts in the United States, Americans for the Arts, released today the National Arts Index by Roland J. Kushner and Randy Cohen, a report that analyzes the health and vitality of the arts and culture in the United States. It looks at 76 national-level indicators of artistic and [...]

TV Everywhere and Ten Canards on Copyright

Tuesday, January 5th, 2010 by Patrick Ross

Congrats to the coalition of self-described “consumer groups” that have sent letters to the Department of Justice’s Antitrust Division and the Federal Trade Commission urging the federal government to step in, strip audiovisual content creators of their rights, and force all of their content online available to any distributor at prices set by someone other [...]


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